Inaugural Music Technology Research Showcase celebrates work of new graduate program’s initial students
Associate Professor Anna Huang delivers the keynote address, “In Search of Human-AI Resonance,” to a capacity crowd.
Associate Professor Anna Huang delivers the keynote address, “In Search of Human-AI Resonance,” to a capacity crowd.
Master’s and doctoral degrees across multiple SHASS graduate programs were conferred during the ceremony.
Mariano Salcedo ’25, a master’s student in the new Music Technology and Computation Graduate Program, is designing an AI to visualize and express music and other sounds.
Through an interdisciplinary collaboration between MIT and the Museum of Fine Arts, Boston, researchers are creating playable physical and synthesized replicas.
John Piscitello ’91, SM ’93 hopes new Music Technology and Computation Program will spark game-changing innovation in the arts.
Graduate student Claire Southard ’25 explores new frontiers in music technology.
With the new Edward and Joyce Linde Music Building, the Institute’s multidisciplinary approach to music deepens.
The student-nominated and student-judged awards honor MIT faculty and instructor innovations in teaching with technology.
Groundbreaking MIT concert, featuring electronic and computer-generated music, was a part of the 2025 International Computer Music Conference.
From the classroom to expanding research opportunities, students at MIT Music Technology use design to push the frontier of digital instruments and software for human expression and empowerment.
Graduate program in music technology and computation brings new dimension to interdisciplinary offerings
A tour of the new Edward and Joyce Linde Music Building.
Engineering graduate student Joseph Ntaimo ’23 builds instruments that “empower people to jam with each other”
As MITHAS celebrated the first concert in its newly inaugurated Thomas Tull Concert Hall, the MIT School of Engineering Dean, Anantha Chandrakasan, announced the launch of a groundbreaking new graduate program in music technology and computation.
Opening in February 2025, the building will “give MIT musicians the conservatory-level tools they deserve,” says MIT President Sally Kornbluth.
Acclaimed keyboardist Jordan Rudess’s collaboration with the MIT Media Lab culminates in live improvisation between an AI “jam_bot” and the artist.
The program will invite students to investigate new vistas at the intersection of music, computing, and technology.
A piano that captures the data of live performance offers the MIT community new possibilities for studying and experimenting with music
Keeril Makan describes how a new facility, now under construction, features rehearsal and performance spaces, a recording studio, classrooms, and music technology laboratories.
CAST Visiting Artist Andreas Refsgaard engages the MIT community in the ethics and play of creative coding.
Marshalling forces from across the Institute, MIT will deliver an online celebration worthy of the Class of 2020.
Cross-disciplinary projects at MIT probe the technological and aesthetic limits of sound.
An increasingly popular program is drawing students eager to build — and use — the next generation of tools for making music.
Commitment signals transformative moment for the Institute’s music programming.
As long as someone is listening, the beat will go on.
Harmonix co-founder Eran Egozy returns to MIT as professor of the practice in music technology.
From the founding of MIT to today, the arts have been a large part of MIT culture.