A new approach for mixing tracks that does away with the "turntable decks" metaphor in favor of a time-based, touch-controlled display

By: John Bowler.

Dynamic Performance Augmentation connecting musical and physical expressivity.

By: CK Ong, Jacqui De Sa, and Kevin King.

Two instruments - a Kinect sensor and a glove device - are used together to play duets by people with varied musical abilities.

By: Beth Hadley and Erin Main.

A musical experience in virtual reality defined by: immersion, discovery, and creation.

By: Nick Benson, Misha Jamy, and Ben Chan.

Algorithmically compose music. Give users some choice in the composition process. Allow "undo" of composing to explore alternate "branches".

By: Felix Sun.

Create the full-band experience with just a guitar for those late-night, lonely jam sessions.

By: Katie Bartel and Polly Lal.

A real-time visualizer and automated accompaniment system for Terry Riley's "In C".

By: Daniel Manesh.

An exploration of music in time and 3D space with tight coupling between what is seen and what is heard.

By: Evan Lynch and Emily Zhang.

To provide people with any level of musical experience the pleasures of directing a musical performance with simple, intuitive gestures.

By: Wilson Louie and Derek Wu.